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Venerable Ajahn Sucitto -
Samadhi Is Pure Enjoyment

 


A talk given by Ajahn Sucitto on March 10, 1999 at Insight Meditation Society, Barre, Massachusetts

Let’s look at the idea of concentration, or samadhi. When you hear those four little syllables con-cen-tra-tion, what do they imply to you? You probably can't articulate it, but you might feel a particular set of energies start to take over. Maybe you get a sense of doing something, working hard at it to get it right. That's the normal take. We say to ourselves, "Samadhi. This is a really big thing. It's not going to be a cake walk." We really clench up, get tight, and go for it. It's intensive practice, a "concentration" camp. No slacking allowed! With this kind of thinking, we set up a domination tactic whereby we control the mind. We rev up the controlling systems, the duty systems, the work systems, the get-it-right systems. This is real Gestapo stuff when it comes right down to it.

These tactics may work for a while, but in a few days we will start to tire out. Something in us tightens up, hardens up. And at the same time, something else in us is probably saying, "Ah, the hell with this." Every now and again that voice leaks out. We want to get some enjoyment, so we look for legitimate ways to avoid "the practice." After all, how many people would actually like to practice all the time? Of course, the idealistic mind says, "Yes, I'd like to commit myself to Dhamma all the time." A little voice chirps up, "Yes sir, that's me!" But underneath it's saying, "An evening off every now and then would be nice." So it's important to question our perception of concentration. This Gestapo view is not going to bring around samadhi, unification, or wholeness. If we examine this "getting it" attitude, we can feel how destructive it is, how it causes us to lose heart. There's no appreciation in it. We can feel how it makes us feel stressed and critical.

I've found this myself trying to develop samadhi like this in the monastery. I get very critical of everybody-somebody's got terrible posture, somebody opens the door too loudly; somebody's wearing his robes the wrong way. We get so picky and critical because our ideas about concentration heighten our critical faculties. But this discriminative faculty is that which separates. It leads to segregation. Segregation then leads to unrest and rebellion. Whatever has been exiled and rejected starts to lash back. So an experience that's intended to result in clarity in reality causes all these hindrances to well up. Concentration dissolves because one hasn't cultivated it in the right way.

Instead, let's consider the way the Buddha described it. Concentration is enjoyment. It's an enjoyment experience. He said, "For one whose body is balanced and at ease, there's no need to set up the wish 'May I feel happy, may I feel relaxed in myself.'" In other words, we don't need to make any effort. If the body is in harmony and its energy is balanced, then we will feel at ease. There is no need to set up the intention "may I concentrate." Someone who is at ease will be naturally concentrated. That is samadhi.

Now that doesn't seem very precise, does it? That's because it's not precise in terms of object definition, which is where we feel most secure. We think, "When I can feel so many breaths occurring in my nostrils, then I'm concentrated. That's samadhi." Try looking at it in another way. Instead of basing samadhi on an object, turn it around. Forget about the breath for a moment. Look more at subjective qualities. How are you feeling now? Just being here-sitting, walking, living-how does it feel? How do changes happen for you? When do you feel happy? When do you feel sad? When do you feel busy? When do you feel calm and easeful? When do you feel life is just this? What's the energy like then?

When there's something in the future that we've got to get to, there's tension. Things start to solidify; flexibility begins to dwindle. When there's a strong sense of self-consciousness-"I am this, I'm not that; I wasn't that, I will be this"-then there's a tightening of one's energies. When we defend ourselves from people, events, memories, and feelings, when we shut things out there's tightening and stress. When we try to perform and make ourselves into something, there's tightening and stress. When we compare and compete, there's tightening and stress.

So we begin to contemplate these unwholesome patterns and relinquish them. We can see how our lives work in terms of compartments. We may compartmentalize a retreat. We set up a series of little pockets-sitting, walking, free time, then more sitting, walking, free time. We might say to ourselves, "I didn't get my hours of sitting in today." Do you see what happens? Our thoughts set up zones: "This will be like this and that will be like that. I want to know what everything will be like so that I can be prepared for it. I'll have my cushion set up straight and my own special walking path that nobody better take over!" We create zones in which anything unwanted or unusual has been weeded out. This in turn creates a very rigid feeling. When something gets slightly out of pattern, we feel confused or upset. This is no way to live. It's a sterile experience, like living in a laboratory.

Of course, weeds still pop up, don't they? Weeds can live just about anywhere. They come up through cement. Weeds are the real lords of the planet. We should want to be more like a weed, really-to accentuate the resilience, robustness, spontaneity, "anywhereness" of the weed rather than the precariousness of a precious orchid that can survive only in a hothouse with sprays and special foods. After all, a weed is really just a flower. We've simply learned to say "weed," deciding that it is unrefined. Our perception labels it as negative just like our minds have been trained to accept only the clinical and unreal, the sterile and unalive, the prepackaged and filtered. Just like the cultivated orchid, unable to survive in the wild, our immune system is weak. We can't handle the raw stuff anymore.

But awareness can. Our training is one whereby awareness allows and takes on conditions. When awareness hold the body, there's embodiment-somatic presence. When awareness forms concepts, there's applied thought. When awareness inclines towards feeling and perception, there's resonance. When it's intention is bare reference, we call it mindfulness, or referring to things as they are. When reference is fully established, the settling of awareness into enjoyment is samadhi.

Awareness itself is none of these experiences; it's within all of them. Practice is to keep introducing awareness to body, thought and mood in a mindful way. This requires a clear commitment of intention: like being here, like being with the body, the feeling, etc. So to encourage that commitment, make the practice a welcoming one. Then the thinking mind will follow along. The real trick is to find balance whereby we can think when we want to and, when it's not time for thinking, we can rest in an awareness of enjoyment.

This type of enjoyment is a receptive and grounded experience. When we learn to dance or to play a piano, for example, there are different stages. The first stage is "not conscious and incompetent"-not knowing what to do and not being able to do it. Next is "conscious and incompetent"-knowing what to do but still not being able to do it. At this stage, we practice in a wooden manner, clomping around to figure out the keys, beginner's meditation. Third is "conscious and competent"-knowing what to do and being able to do it. We think, "I've got it together now; I'm doing really well." Most people think this is the pinnacle. The real pinnacle, though, is "unconscious and competent"-that it's just happening. We don't know how we're doing it, but it's happening anyway. We are part of a flow. In this type of consciousness-which we can experience in certain arts, crafts, sports, and so on-we feel what's happening. We trust it. We flow with it. We are aware and attuned. There's no cognitive pattern saying, "Do this, do that." It's just flowing.

This is what samadhi is like. It is competent and unconscious, or better, beyond self-conscious effort. "Consciousness" in this context is the discriminative activity. Eye consciousness discriminates in terms of distance, light, and shade. It breaks things up into a description of experience: "This tree is a foot away; that one is ten feet away." Really, though, it's all just there. Mind consciousness discriminates between subject and object: "That's you, and this is me. You're out there, and I'm in here." The mind discriminates all the time. This doesn't apply simply to what we call normal external realities. Even when we watch the mind, there's the notion: "I'm in here, watching my mind out there." When battling with defilements: "I'm in here, and the defilements are out there." There's a kind of dividing line between the two. That's consciousness. Although awareness is the core "stuff" of consciousness, the activity of consciousness sets up that line.

As long as the line exists, there will be position-taking, nervousness, winning, losing, etc. Since experiences are transitory, there will always be a slight sense either of holding on to or getting rid of the state one has attained, trying to increase it or decrease it. Samadhi occurs when we move over that line. There's complete participation in and enjoyment of experience. Samadhi is the release from all the tension, the grasping, the boundary creation.

In the beginning stages of samadhi, we work within the boundaries of experience to sift out the kamma, the patterns and habit tendencies of past actions. We start within the boundary of the body to clean out all its inner boundaries-the unawareness of the body, the inability to flow with the energies of the body, the congestions in the body as an experience-so that it is no longer cramped, tight, knotted, twisted, or unbalanced. Once there's fullness of body, we don't have to do anything in bodily terms, the body is at rest. Just being a body is enjoyable.

Learning the essence of the practice within the body makes use of a safe, manageable boundary. The body is easy because it's tangible and gross. Enjoy embodied presence-sitting, walking, standing. The body then trains the mind to stop creating all these injunctions, controls, and nervousness. It trains the mind to stop the ignoring and forgetfulness and wrong seeing, to stop the conceit and shame and violence. This leads to paÒÒa, or wisdom-that is, an understanding of the process-which in turn brings release. Release from fear, from worry, from tension, from ignorance.

Release is itself a graduated process. We get the mind to change its behavior. This is something we can do only with the body because the mind can't change itself. It needs a reference. So we focus the mind onto something and ask, "Hmm. What is this like? Why is my breath like this?" The breath is a good place to start in developing concentration. Of course, we often think, "I need to adjust the breath to get it right. There's something wrong." So we tinker with it and refine it. Fine, if this leads to ease. But if we make elaborate concoctions or formulations around breathing it gets to the point where we don't even want to hear the word "breathing" anymore. Concentrating on our breathing is too painful because it sets up too many refined conceptual criteria. We intensify discrimination onto the object rather than suffuse it with awareness.

We need to unravel stress. Simply notice you are breathing. Just start to touch that. It's very simple. Watch how you receive, very consciously connecting with the word "receive," because it's the least intense "doing" that can occur. Bring up the reflection of just receiving your breath. At first, perhaps your receptivity will not be very clear or sharp or bright. Enhance the receiving; stay with it. Then ask, "What can I receive?" Focus in terms of patterns, like knowing the difference between the sounds and the silences when you listen to a voice. Feel the modulations, the ins and outs and the pauses; you can pick that up quite quickly. When you're breathing, simply receive the patterns of sensation and allow yourself to enjoy it, to rest in it, to flow with it. "For one who is at ease with the body there is no need to wish, 'May I be relaxed and enjoy myself.' It is a natural thing. For one who is relaxed and at ease, there is no need to wish, 'May my mind become concentrated.' It is a natural thing." These are the words of the Buddha.

Flow is not a discrete object. You can't substantiate flow. It takes getting out of the habit of substantiating things, of putting boundaries around things that is an important relief in meditation. Things are dynamic, things are flowing. So our response has to be dynamic and flowing. We tend to try to find a rigid object that we can hold on to, and we call that concentration. One might feel a certain glee from achieving this, but it lasts for only a little while. Then it's goodbye flow, goodbye energy, goodbye joy.

When we're contemplating the breath, we're really looking at a metaphor for the mind. We have to look at this metaphor in the same way we'd appreciate a poem or a painting. Look at what it signifies. Don't go up to the canvas and hook your nose on it. Keep it at a distance where your eye rests comfortably. That's going to be different for different people. Your eye may rest comfortably on an object ten inches away, a foot away, two feet away. It depends. Put it where you feel comfortable. The idea of focusing is to settle, so focus in a way in which you feel settled and easy, not confused or sleepy. That's the only point where you'll actually experience a steady breath sign. This point is really in your own mental, psychological, awareness process. It's not a physical point.

Where do feel your energies come together? Get there. Let the breath pass through that, time and time again. You'll find yourself neither snagging on it nor moving away from it. You'll find yourself settling in. Then you'll begin to experience some kind of continuing tone, which is another metaphor. Listen in to that if it's something you experience more as a listening. If it's tactile, feel it. If it's got an emotional base, resonate with it. If it's visual, open to it. There is the "sign" of meditation. The quality of that experience is beautiful. Notice the beauty. What is this beauty? It's where the mind feels delighted, charmed, moved. This is joy.

But we can't hold beauty. A relationship to beauty is something akin to devotion. We don't hold it; we're aware of it in a way that's both loving and respectful. Give yourself to it. Of course, this is something we're not used to, so it must be done with care. This is not a reckless experience; it's something that requires trust. Trust your body first of all. The body is something that can be trusted much more than the mind. And as one learns to trust, one receives the blessings of that: what is good, what is conducive to the heart's welfare, what gives joy.

Receiving joy is another way to say enjoyment, and samadhi is the art of refined enjoyment. It is the careful collecting of oneself to the joy of the present moment. Joyfulness means there's no fear, no tension, no ought to. There isn't anything we have to do about it. It's just this.
 
 

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